SEEKINGBand to Join, Vocalist, Vocalist - Bass, Vocalist - Baritone, Vocalist - Tenor, Vocalist - Soprano, Rhythm Guitar, Lead Guitar, Acoustic Guitar, Bass Guitar, Drums, Other Percussion, Trumpet, Saxophone, Keyboard, Piano, Background Singer, Harmonica, Flute, Other, Mandolin, Dobro, Vocalist - Alto, Steel guitar, Upright bass.
Hey! Thanks for checking out my profile. I have a lot of info here, but I feel it's all relevant & you may as well find out all the basics now. :)
1. In the GTA (Toronto & west of it) and near the 401 & 403 as far west as London could work for me.
2. I'm most interested in joining/forming a band that does gigs a few times per month at the most, ie. not aiming to make this anything more than a part-time thing, and most likely I wouldn't have the time to go on any extended 'tour' outside of Southern Ontario.
3. My vocal range is very similar to Ian Anderson's (of Jethro Tull fame) - some of the baritone range & some of the tenor range.
4. For the last 10yrs or so, I have not been in a band situation on a regular basis & I have been focusing my energies towards other aspects of my life. Consequently, I do not have a huge repertoire memorized, but when I have worked with a band (I did quite recently), I am enthused about learning/re-learning tunes & I have a good honest work ethic.
5. You can contact me at "blueznjazz" (at) "hotmail" (dot) "com
6. I have absolutely no interest in dealing with big egos, pissing contests, or those who get wasted/stoned before or during a gig. Respect the music and your bandmates, right? :-)
7. I can practice with a band once a week (perhaps twice when a gig is approaching) & gig a couple of times a month.
8. As is the case for most people, my commitments eat up a lot of time. Nevertheless, I always make room for music!
9. I'm cool with playing at house parties, charity functions, park events, pubs, clubs, etc. I'd be available for weekend or weeknight practices & gigs. Oh, and I have my own transportation.
10. FWIW, I find it best when everyone in a band works on their parts between practices, then focuses most on getting synchronized, working on timing/dynamics/etc during each practice session. I find that multiple reps of each song on the practice agenda is important. Of course, there needs to be some flexibility with all this, and a practice should not feel like boot camp either (fortunately I haven't experienced that yet, but I wanted to mention it) Letâ??s have fun, get to know each other as people, be patient & encourage each other & not rush the process, but at the same time, not lose sight of the goal either.
11. I have a â??good earâ?? and I â??get itâ?? in a wide range of styles of music. I can play kbds & rhythm gtr well, but I am still dealing with some stubborn rust. So, the learning curves are still there, however they are not insurmountable by any stretch. So, give me some homework & Iâ??ll learn the songs.
12. Iâ??ll need some time to catch up to a band that already has a 30-song set list down pat, but I will get there. So, if you were planning on gigging 3 full sets in less than a month, Iâ??m probably not your best choice!
13. Iâ??m a â??team playerâ?? (â??itâ??s about the song, not about meâ??) & I'm an excellent listener/communicator. I see myself as being in a supporting role during performances, not the focus of the attention etc. I am comfortable moving between Rhythm Gtr & Keys, plus perhaps some backing vocals. Outside of performances, I do like to have the opportunity to offer my opinion & offer constructive suggestions/requests re: music, sound, and logistics.
14. Also very open to performing/recording originals and/or providing input on writing/arranging. (I have written songs too) One reality is that everyone approaches writing lyrics/music in different ways. For me, if there was Myers-Briggs test for artistic personality, I would be called something like "Contemplative Creative", ie. I come up with my ideas after hearing the song or song concept & letting it 'ferment' in my noggin. Then, at some point, stuff pops into my head and it is usually worthwhile. This also means that, unfortunately, I am not productive in terms of creating new music off-the-cuff in a jam situation (except, perhaps developing a melody or harmonies, or identifying what a song needs.). That's who I am, for better or worse. :)
- Screen name:
- Member since:
- Aug 03 2012
- Active within 2 weeks
- Level of commitment:
- Years playing music:
- Gigs played:
- 10 to 50
- Tend to practice:
- More than 3 times per week
- Available to gig:
- 1 night a week
- Most available:
1. Influences? You name the genre, and I can probably find a bunch of bands or individual artist I appreciate & respect. There is great music & are awesome artists within every genre & decade, and yet there is stuff that doesn't turn my crank.
I don't identify with one specific genre, I identify myself musically by key characteristics like authenticity, relevance, energy, witt & humour. etc. Most of all, the music has to come from the heart & not just exist as a corporately defined cliche-ridden 'product' for sale.
* Classical, Jazz & Blues, British Invasion & Classic Rock,
* Punk, New Wave, Power Pop, Ska, and Reggae,
* Grunge, Alt-rock, most 90s music, Garage rock, and
* Country & Folk Rock, Folk & Gritty Country,
* Christian Contemporary rock.
2. I want to be part of a band that has a personality and an attitude/message/focus. I've always liked bands with social/political/spritual commentary in their songs. The band needs to have some energy on stage, and knows how to fire up the audience & get them singing, dancing, and throwing their worries to the wind, etc.,
3. In terms of attitude, I think it's awesome if a band has a female lead, that she doesn't sing 'too pretty' - she can still hit the notes, but power, wit, and passion are present in her singing & stage presence. Of course, the same applies to male singers, but my experience has been that male rock singers generally do not lack the power & passion part of the equation.
4. I am most motivated when I am with people with a 'vision', rather than winging it and/or picking songs out of a hat.
5. Of course I enjoy a ton of great music from the 50s, 60s, and 70s, (and anything with those influences) but more & more & am getting the itch to be part of a project based on one or more of the following:
* Power-Pop/melodic rock band with crunchy/jangly guitars & great harmonies (Matthew Sweet, Sloan, Jeff Buckley,The Jam, Sloan, Foo Fighters, Cheap Trick, The Smithereens, Big Star, 54-40, Weezer, Matthew Good, The Pursuit of Happiness, The Knack, etc)
* snappy witty New Wave-ish pop/rock (The Cars, Joe Jackson, The Smiths, Elvis Costello, Blondie,The Beat, Pretenders, etc)
* the previously mentioned band backing a gutsy female lead with talent & musical 'attitude' (eg. Shirley Manson) and an interest in projecting that talent/stage presence onto an eclectic mix of tunes.
*intelligent and/or danceable 80s music (Simple Minds, Tears for Fears, The Cure, Pet Shop Boys, Talk Talk, Parachute Club, Depeche Mode, The Box, Peter Gabriel, etc)
* a 'Manchester-sound' band (Charlatans UK, The Verve, Stone Roses....& Oasis without the egos & fights!)
* garage/retro sound (The Black Keys, the Love Me Nots, The Clique (UK), The Chevelles, The Woggles,The Boss Martians, Dandy Warhols, The Mooney Suzuki, The Sonics, etc)
* I could get into a tribute band for the Black Keys, the Foo Fighters, R.E.M. , U2....
6. I'm definitely not stubborn or anal about my preferences. Everyone in a band has to give & take when it comes to putting together set lists. Basically, if it's 'real' and not cheesy music (written to make record execs rich/happy), then I can believe in the music & will love to play it.
7. Although I respect bands in the following genres (esp those that do the socio-political commentary thing), I do not play 'hair metal', speed metal, thrash, rap, hip-hop, excessively sugar-sweet country, or anything that youâ??d hear regularly on a "Lite-FM" muzak station. But I do like more gritty country, southern rock, folk/country-rock. (I dig Steve Earl, Almann Brothers, Eagles, Murray McLaughlin, and Bruce Cockburn for example)
- Rhythm Guitar:
- Acoustic Guitar:
- Bass Guitar:
- Background Singer:
* Rickenbackers, Gibson, Fender, Reverend, and Godin guitars
* Line6 "Helix" floorboard for live stereo effects & some spiffy pedals. Also a TC Helicon VoiceLive 3 and vocal mic.
* Nord & Yamaha keyboards, nice analog synths, midi controller keyboard, and stereo keyboard amp.
* nice clones of Vox AC30, JTM-45 Marshall, Fender Blackface & Fender Tweed tube amps.
* ....and other stuff that I probably have lost sommmmmwhere in the house. ;-) lol !